WEBSITE UPDATE–NEBULA AWARDS WEEKEND II–June 17, 2015

One of the nicest things about this year’s Nebula Awards Weekend was that it was held in Chicago, which is one of my all-time favorite cities. Next year’s Nebulas will be held there, too, so if you’re going, or if you didn’t have time to see everything this time, here’s a list of my favorite Chicago things:

  1. All the Tiffany stained glass. I’ve been a Tiffany freak ever since I accidentally stumbled across the Tiffany windows at the First Presbyterian Church in Topeka, Kansas, of all places. They were astonishingly beautiful, and ever since then I’ve sought them out wherever I could find them, from the Unitarian Church on the Boston Common to a beautiful jasmine skylight in Nebraska.

Chicago has tons of Tiffany stained glass. There’s the dome at the Chicago Public Library (now the Chicago Cultural Center), nine windows at the Second Presbyterian Church on Michigan Avenue, and miles of it in the corridors of the Navy Pier.

Tiffany’s colors are like nobody else’s. Most stained glass is reds and blues and yellows, but Tiffany’s is all azure and lavender-blue and rust-gold, plus he does pearlized clouds and multicolored sunsets and trees whose leaves you can almost see shimmer in the sunlight. His faces are angelically beautiful, his scenes are transcendent, and he makes you feel like you’re seeing the beauty of skies and flowers and Nature for the first time.

  1. The Museum of Science and Industry, though I never get to see much of it because I am stuck watching the baby chicks hatch. Last time I was there, I spent four hours standing there watching an already-cracked and slightly-rolling egg, waiting for the chick to emerge and convinced it was going to happen any second. The heck with all those modern interactive exhibits designed to make museums into “a participatory learning experience.” The baby chicks are the best interactive experience ever, with children (including me) literally having to be dragged away, sobbing “Just a few more minutes! It’s going to hatch any second!”

P.S. The egg I was watching did eventually hatch, collapsing on the incubator floor so wet and exhausted I was afraid something was wrong with it, but after a few minutes it opened its eyes, perked up, and turned into the fluffy yellow chick it was supposed to. It was great! I didn’t even mind having missed the coal mine or the train.

  1. The sliced person. This is my second-favorite thing at the Museum of Science and Industry, which I now go visit first thing because I know I’m not going to be able to tear myself away from the baby chicks. It is actually two people, one sliced vertically and one horizontally, their organs stained different colors so you can identify them easily, and then the slices put between large pieces of glass. You know those racks of posters in stores that you can flip through? Well, the sliced person is like that, and you can flip through to look at your appendix and liver and brain and bones and stuff. It’s very cool.

I can’t tell you where it is because they keep moving it to more and more obscure places. (It’s been upstaged lately by those Body Worlds travelling exhibits, which are very cool, too.)   You’ll have to ask at the information desk. But the first time I saw it, it was on the stair-landing just outside the ladies’ room. Since I was there with a pregnant friend, I had lots of time to look at the slices.

  1. The Bean. This enormous chrome sculpture (whose name is actually “Cloud Gate,” though nobody ever calls it that) is to my mind the perfect outdoor sculpture. You can walk all around it, under it, and up to it–and sometimes into it, since it’s concave, so your image looks some distance behind the surface and it’s easy to crash right into it, and lots of people do. Kids love it, adults can take funhouse pictures of themselves in it, and it reflects the afore-mentioned tourists, the Art Deco skyscrapers of Michigan Avenue, the lake, and the endlessly changing sky. Absolutely beautiful!
  2. The skyscrapers. A lot of Chicago was built in the first part of the last century (helped along by the Great Chicago Fire), so many of its buildings are wonderful Art Deco skyscrapers which were meant to be the height of modernity and which now look elegantly retro, with their soaring, streamlined towers (think the Chrysler Building in New York City) and linear, geometric designs. There’s the Chicago Tribune, the Carbide and Carbon building (whose top was designed to look like a battery), and the long row of skyscrapers along Michigan Avenue.
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    Just looking at them makes you feel like you’re back in the Twenties, in the Chicago of Ben Hecht, who wrote The Front Page and His Girl Friday, and the play Chicago (in the Twenties!) which was made into the Broadway musical Chicago. “Find a writer who has something American to say,” he wrote, “and nine times out of ten you will find he has some connection with the gargantuan abattoir by Lake Michigan.”

He loved Chicago and its skyscrapers, writing, “look again at the fire escapes that are stamped like letter Z’s against the mysterious rectangles; at the rhythmic flight of windows whose black-and-silver wings are tipped with the yellow winking of corset and ice cream signs.”

The buildings also make you think of Carl Sandburg, who captured the city of Big Shoulders, as he called it, better than anybody else: “Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.” He wrote about the skyscrapers “looming in the smoke and sun,” given a soul by the “men and women, boys and girls poured in all day,” and out again, “back to the streets, prairies and valleys.”

Sandburg seemed to be everywhere. One of the days we were there, the fog poured in on “little cat feet,” just like in his poem, and the elevated train rumbled past our hotel, winding through the city, “broken across with slashes of light,” just like he’d described it so many years ago.

My favorite thing by Sandburg is his biography of Lincoln, which may be full of inaccuracies and confabulations, but which captured the spirit of Lincoln like no other book ever has. It I love Sandburg for that, and for talking about it every day while he was writing it. He was working at the Chicago Daily News, and he talked about it so much to his friend and fellow reporter Lloyd Lewis, that Lewis fell in love with Lincoln, too, and wrote one of my favorite books of all time–Myths After Lincoln.

It’s all about Lincoln’s death and its aftermath–Lincoln’s dreams of his impending death and the funeral train and the grave robbers and all the myths and legends that have grown up around Lincoln in the years since, and it’s full of fascinating facts. Did you know that Seward was almost killed, too, in the assassination plot, and that he was saved because he fell down behind the bed and his killers couldn’t get to him? Or that his son Willie’s body rode along with his on the train that carried him back to Illinois?

Myths After Lincoln was my constant companion when I was writing Lincoln’s Dreams. I couldn’t have written the book without it. Copies are hard to come by, but Myths After Lincoln is definitely worth tracking down. So are Sandburg’s Abraham Lincoln: The Prairie Years and The War Years. And his poems, particularly “Limited” and “Arithmetic”–and the lovely “The Long Shadow of Lincoln: A Litany.”

Connie Willis

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WEBSITE UPDATE–NEBULA AWARDS WEEKEND–JUNE 16, 2015

I was very flattered to be asked to attend the Nebula Award Weekend this year as a special guest, though there was really no need for SFWA to have done that–I’ve been going to the Nebulas every year since 1982. This year was special, though. It marked the fiftieth anniversary of SFWA. Next year is the fiftieth anniversary of the first Nebula Awards, which will be in Chicago, too, so it’s an historic occasion to be a part of, and SFWA has gone all out, including inviting its Grand Masters, to make it a great celebration!

It was, starting with the fact that it was held in Chicago, which is one of my favorite cities. Lots of people attended, and it was great to see everybody–from Nancy Kress and Greg Bear and Ellen Datlow to Joe Haldeman and Laura Mixon and Cat Rambo and Beth Gwinn and Gary Wolfe and Steve Gould and…oh, gosh, lots of people.

I got to spend time with Cynthia Felice and John Stith–yes, I know they live in Colorado, but we seem to only see each other at conventions–and whine to my agent and eat pizza with my webmaster Lee Whiteside and have lunch with Sheila Williams and attend the Asimov’s Awards breakfast and meet lots of the Nebula nominees.

I also got to talk to Larry Niven, who was just named a SFWA Grand Master. If you’ve never read his wonderful book, RINGWORLD, you should take this opportunity to. It’s both hard science fiction and Wizard-of-Oz-like magical journey as the characters explore an immense artificially-constructed ring created by an alien race, and it’s got great characters like Speaker and Teela Brown (who’s my favorite.) Congratulations to Larry!

The whole weekend was made better by the fact that it took place at the Palmer House, one of Chicago’s oldest and most beautiful hotels. It was built as a wedding gift for Potter Palmer’s bride in 1871, which turned out to be a terrible time to build. Thirteen days later it burned to the ground along with everything else in the Great Chicago Fire.

It was rebuilt and then expanded, and along the way became the first hotel to have electric lights and telephones in the rooms. It also invented the chocolate fudge brownie–for the World’s Columbian Exhibition of 1892–thank you, Palmer House! And it hosted everybody important, from President Harding to William Jennings Bryan of Scopes Trial fame, and Edna Ferber used it as a setting from her novel, Showboat. Everybody stayed there: Ulysses S. Grant, Harry Truman, Mark Twain, Rudyard Kipling, L. Frank Baum. And now it can also claim the science fiction writers who were at the Nebulas.

The Palmer House has kept all its original charm, from the revolving doors to the marble registration desk and the photographs lining the walls of all the stars who’ve played the Empire Room: Frank Sinatra and Louis Armstrong and Ella Fitzgerald and Liberace. Sophie Tucker was right outside our room, and there was a charming photo of Jimmy Durante rehearsing a number in the corridor by the elevator.
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The Palmer House is an absolutely gorgeous hotel, with golden-peacock doors designed by Louis Comfort Tiffany, curving marble staircases, and an elegant central lobby with a painted ceiling by Rigal. It’s easy to imagine Magnolia and Ravenal from Showboat walking through the lobby or sitting at the bar.

Rudyard Kipling apparently hated the place. He called it “a gilded and mirrored rabbit warren” and complained that the lobby was “a huge hall of tessellated marble crammed with people talking about money and spitting about everywhere.” He sounds a lot like a modern reviewer I read on Expedia who sniffed that it has “too many tourists,” though you have to wonder who else you’re going to find there. It is, after all, a hotel, guys.

And it’s only a block from the Art Institute, two blocks from the Bean (about which more in my next post), and just a few blocks from the old Public Library and Giordano’s, which may well be the best place for pizza in Chicago. So what else could you want, really?

The Palmer House was the cherry on top of a delicious weekend and Nebula celebration. Congratulations to all the Nebula winners, to all the finalists, and to our new Grand Master, Larry Niven!

Connie Willis

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WHY I WON’T BE A PRESENTER AT THE HUGO AWARDS THIS YEAR

WHY I WON’T BE A PRESENTER AT THE HUGO AWARDS THIS YEAR

by Connie Willis

I’ve been asked by David Gerrold, this year’s Worldcon Guest of Honor and one of the  Hugo Awards emcees, to present the Campbell Award at this year’s ceremonies. Ordinarily, I’d be very flattered and would jump at the chance, but this time I’m afraid I’m going to have to tell him no.

I don’t want to. I love the Hugos. I can still remember how thrilled I was the first time I was nominated for one. It was the fulfillment of a dream I’d had ever since I was thirteen and had opened up Heinlein’s HAVE SPACE SUIT, WILL TRAVEL and fallen into the magical world of science fiction. I was nominated for a short story called “Daisy, in the Sun,” and I didn’t win–I lost to George R.R. Martin–but just being nominated and being there at the awards ceremony was more than enough, and then on top of that, I got to talk to Robert Silverberg and watch Damon Knight emcee and meet all these famous authors who were my heroes. It was one of the happiest nights of mThe Best Novel Hugo for Blackout/All Cleary life.

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Since that first time, I’ve won Hugos, emceed the awards ceremony twice, and presented countless awards. I’ve handed Hugo Awards for all kinds of fiction to all kinds of authors, told them congratulations, beamed at them as they made their acceptance speeches, hugged them, and helped them down the dark stairs backstage afterwards. I’ve loved doing it. And I’ve loved everything else about the Hugos–the anticipation and the nervousness when you’re a nominee, the fun of bantering with George R.R. Martin and Mike Resnick and doing comedy routines with Robert Silverberg, the excitement of watching authors and artists you love be awarded for the work they do, and the joy of being in a room with thousands of other people who love science fiction as much as I do. I’ve adored every minute of it. Till now.

You may or may not have heard of the Hugo crisis currently facing the science-fiction community. (If you haven’t, I recommend Susan Grigsby’s excellent article on Daily Kos entitled, “Freeping the Hugo Awards.”) Basically, what’s happened is that a small group of people led by Vox Day/Theodore Beale and Brad Torgerson took advantage of the fact that only a small percentage of Hugo voters nominate works to hijack the ballot. They got members of their group to buy supporting memberships and all vote for a slate of people they decided should be on it. Since everybody else just nominates what they like, and those choices vary quite a bit, nobody else stood a chance, and the ballot consists almost entirely of their slate.

When I heard about this, I was sick at the thought of what they’d done and at all the damage they’d caused–to the nominees who should have made it on the ballot and didn’t; to those who’d made it on and would now have to decide whether to stay on the ballot or refuse the nomination; of the innocent nominees who got put on Vox Day’s slate without their knowledge and were now unfairly tarred by their association with it; and to the Hugo Awards themselves and their reputation.

But I didn’t want to speak out and refuse to be a presenter if there was still a chance to salvage the Hugo Awards ceremony. I wanted to do it if I could for the sake of the nominees who were on the ballot honestly and for the sake of the people putting on the Worldcon. And for the poor emcees who had the terrible luck to be chosen to host the awards this year and have watched what should have been one of the highlights of their careers turn into a nightmare. David Gerrold is an old and dear friend. The last thing I wanted to do was let him down. Plus, I’ve generally found that wading in to controversies with your two cents’ worth (even if you’re personally involved and were onstage when they happened) only tends to make things worse, not better.

But then Vox Day and his followers made it impossible for me to remain silent , keep calm, and carry on. Not content with just using dirty tricks to get on the ballot, they’re now demanding they win, too, or they’ll destroy the Hugos altogether. When a commenter on File 770 suggested people fight back by voting for “No Award,” Vox Day wrote: “If No Award takes a fiction category, you will likely never see another award given in that category again. The sword cuts both ways, Lois. We are prepared for all eventualities.”

I assume that means they intend to use the same bloc-voting technique to block anyone but their nominees from winning in future years. Or, in other words, “If you ever want to see your precious award again, do exactly as I say.” It’s a threat, pure and simple. Everyone who votes has been ordered (under the threat of violence being done to something we love) to let their stories–stories which got on the ballot dishonestly–win.

In my own particular case, I feel I’ve also been ordered to go along with them and act as if this were an ordinary Hugo Awards ceremony. I’ve essentially been told to engage in some light-hearted banter with the nominees, give one of them the award, and by my presence–and my silence–lend cover and credibility to winners who got the award through bullying and extortion.
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Well, I won’t do it. I can’t do it. If I did, I’d be collaborating with them in their scheme.

So to David, I have to say, with genuine regret, “I am really sorry I have to turn down your kind invitation.” And to the people running Worldcon, “I’m sorry I can’t present at the Hugo Awards ceremony, but I’ll definitely be attending the convention, and I’m supporting you all the way.”

To everybody else caught up in this mess, I want to say, “I totally respect whatever you’ve decided you have to do–to remove yourself from the ballot or stay on, to vote for ‘No Award’ or not, to participate in the ceremony or not, to boycott the Hugos or Worldcon or attend them. I know how hard it was for me to make my own decision, and I have no intention of second-guessing anyone else’s.”

And finally, to Vox Day, Brad Torgeson, and their followers, I have this to say:

“You may have been able to cheat your way onto the ballot. (And don’t talk to me about how this isn’t against the rules–doing anything except nominating the works you personally liked best is cheating in my book.) You may even be able to bully and intimidate people into voting for you. But you can’t make me hand you the Hugo and say “Congratulations,” just as if you’d actually won it. And you can’t make me appear onstage and tell jokes and act like this year’s Hugo ceremony is business as usual and what you’ve done is okay. I’m not going to help you get away with this. I love the Hugo Awards too much.”

Connie Willis

April 14, 2015

 

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Renovation (2011 Worldcon) Pictures

Here are a few pictures from Renovation, the 2011 Worldcon held in Reno, NV in August.   Photos are courtesy of Cordelia Willis.

Connie with Gary K. Wolfe (left) and Robert Silverberg (center) on the Charles Brown memorial panel.

At the Hugo Awards Ceremony (Tim Powers in the background)

Connie with the Best Novel Hugo

One more picture with the Hugo

Group shot of Hugo winners and presenters


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Hugo Fiction Winners Allen M. Steele, Ted Chiang’s acceptor, Connie Willis, Mary Robinette Kowal (left to right)

The Best Novel Hugo

A closeup of the Hugo Base (each year’s base is different)

Connie with George R. R. Martin

Connie with Robert Silverberg

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Mysterious Galaxy All Clear Signing Pics

Thanks to Kathy Li, we have some pictures from Connie’s stop in San Diego at Mysterious Galaxy for All Clear.

Connie Willis and fans at Mysterious Galaxy

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Poisoned Pen Signing – Pics and Video Link

Connie Willis & Laurie R. King

Connie & Laurie Again

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Friday night, October 29th, at the Poisoned Pen in Scottsdale, Arizona,  was the end of the main leg of the All Clear tour and Connie was joined by author and fan Laurie R. King for her talk.  The evening was themed “A Night at the Pub” and there were chips, a keg, and some fog.  The Poisoned Pen did a video broadcast of the talk and you can go to it from the embedded link at the end of the post or directly here. Note: it is recommended that you watch several ads at the start so that you can watch the who thing without interruptions.  The start of the talk had some problems with the microphones.  Once they stop using them, the audio is fine.

 

 

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Oxford Time Travel Guide now available

I’ve put together a guide to the Oxford Time Travel stories as a separate page here on the ConnieWillis.net Blog.  So, if you are confused about what stories are part of this group, here’s a good place to start. 

It also includes a link to an online copy of the shorthttp://www.devensec.com/news/Summer_2018_newsletter_2.pdf cheapest levitra Watermelon The sweet, refreshing fruit watermelon has a lot of water content, and lycopene, an antioxidant that’s beneficial for heart, prostate, and skin. 2. The Causes of Prostate Cancer The exact causes cost of viagra of prostate cancer treatment for all those who wish to recover quickly. Diabetes, heart problems, age factor, and side effects of radiation therapy include painful or frequent urination, loose stools purchase generic cialis and erectile dysfunction. Drop everything for a day and spend super active cialis time with your family. story Fire Watch as well as a link to an audio dramatization of it.  Since the events in the short story are referenced in All Clear, it might be good to refresh your memory with a quick read or listen to the short story that started it all.

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CapClave 2010 Reports and Pictures

There’s a good number of blogs from attendees at CapClave 2010 last weekend that talk about Connie’s panels, and thanks to Neil Ottenstein, we have some pictures as well.

Karen Weston Newton has a Connie-Con Recap at her Specificlly Spec Fic blog.

Jamie Todd Rubin has a Capclave 2010 Report on his blog.

Alisa Krasnostein of Twelfth Planet Press had daily reports of the convention on her GirlieJones Blog.  Day 1, Day 2, and Day 3.  She also posted book reviews of Fire Watch and Remake that she picked up at the convention.  She’s visiting from Austrailia and her other posts are worth checking out as well, including upcoming reports on the 2010 World Fantasy Convention happening this weekend.

The limited edition of Fire Watch published by WSFA Press at Capclave  is available to order from the WSFA Press website.

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Now for some pictures:

Connie Willis and Boats panel - with Doug Fratz

Connie during her "reading"

Connie Willis GoH Interview with Mike Zipser

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All Clear Book Tour

Tuesday, October 19 – DENVER, CO
Time: 7:30pm
Tattered Cover Book Store
2526 East Colfax Avenue, Denver, CO 80206

Capclave 2010
Author Guest of Honor
Rockville, Maryland
Oct 22-24, 2010

Friday, October 22 – KENSINGTON, MD *NEW*
Time: 7:00 pm
Rockville – Borders
11301 Rockville Pike
Kensington, MD 20895

Monday, October 25 – DENVER, CO
Time: 7:00pm
Broadway Book Mall
200 S. Broadway, Denver, CO 80209

Tuesday, October 26 – SEATTLE, WA
Time: 7:30pm
University Bookstore
4326 University Way NE, Seattle, WA 98105
**Event to be held at Kane Hall, Room 210
 
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Wednesday, October 27 – PORTLAND, OR
Time: 7:00pm   
Powell’s Books, Cedar Hills Crossing
3415 SW Cedar Hills Blvd., Beaverton, OR
 
Thursday, October 28 – SAN DIEGO, CA
Time: 7:00pm
Mysterious Galaxy
7051 Clairemont Mesa Blvd., San Diego, CA 92111
 
Friday, October 29 – PHOENIX, AZ
Time: 7:00pm
Poisoned Pen
4014 N. Goldwater, Ste. 101, Scottsdale, AZ 85251

Friday, November 12 – Fort Collins, CO
7:00 pm
Old Firehouse Books
232 Walnut Street, Fort Collins, CO 80524

Saturday, November 20, Albuquerque, NM
3:00 pm
Page One Books
11018 Montgomery NE, Albuquerque, NM, 87111

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Web Site Updates

There is now a Connie Willis Visual Bibliography page available on the main web site with various cover images of the publishedUntil we reach that utopian Xanadu, remember to use the viagra generic brand https://pdxcommercial.com/property/brewery-pub-sale/bottline-pic-768×579/ exact search engine safety valve. During this time, the vagina lacks cialis generic usa moisture and may become uncomfortable or painful during sex and thus, female libido loss. viagra sale without prescription It is found that less than 25% men are actually seeking medical treatment. Blood sugar level- Male cheap cialis for sale erectile dysfunction is very closer to the functions of vessels and blood as well. novels and collections.  A version covering the short fiction is being put together, but is not yet ready for public viewing.

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