INDEPENDENCE DAY AND 1776 (THE MOVIE)

In the late 1960s my husband Courtney and I made a mistake we’ve regretted ever since. We were living in Branford, Connecticut, a suburb of New Haven, Connecticut. New Haven is the city where producers try out their plays before they take them to Broadway, kind of the equivalent of revising a first draft. New verses are added to and/or removed from songs, dialogue is honed, and sometimes the entire second act is taken out, shaken thoroughly, and put back in.
Because the play’s a work in progress and because the audience has no idea whether it will actually make it to Broadway, let alone be any good, tickets are readily available and really cheap, and it’s possible to walk in off the street and see a performance.

We were walking past a theater in downtown New Haven when we saw that they were currently in tryouts for the musical, 1776. “A musical about the Declaration of Independence?” I remember saying, to my everlasting shame. “How can they make a play out of that? What a ridiculous idea!”

In our defense, this was a time when they were doing musicals about New York’s mayor and Zorba the Greek, but still, the long and short of it is we passed up a chance to see the original cast–Howard de Silva, William Daniels, Ken Howard, Blythe Danner–in one of the best musicals of all time, and we’ve regretted it ever since.

We’ve tried to atone by watching the movie every year on the Fourth of July, and this year was no exception. It was amazing, though, just how relevant it was this year! It’s ALWAYS relevant, with its dawdling Congress that sits there and twiddles its thumbs instead of acting and its members who only care for “the profitable pound,” but this year I was shocked by how much its issues were OUR issues.

Not only is America in dire straits–“I do believe you’ve laid a curse on North America,” John Adams says, “a second flood, a simple famine, plagues of locusts everywhere,”–they’re dealing with many of the same problems we are right now.

They’re plagued with diseases (“The children all have dysentery, and little Tom keeps turning blue,” Abigail says. “Little Abbey has the measles, and I’m coming down with flu…they say we may get smallpox”) and shortages (sewing pins and saltpeter instead of toilet paper and PPE.)

There are lines that could have been spoken today, like Benjamin Franklin’s saying, “Never has a nation been more recklessly mismanaged,” and there are parallels in the people. We have Ruth Bader Ginsburg, whose health we’re praying for, and they had Caesar Rodney, a Congressman from Delaware who was dragged back to Congress from his deathbed to provide a deciding vote.

In 1776, they’re also dealing with critical issues of what they want their country to be and issues of racial justice that are threatening to tear the country apart and may even stop America from being born: “Now you’re calling our black slaves Americans?” the delegate from North Carolina asks John Adams, and Adams replies, “They’re people and they’re here. If there’s any other requirement, I never heard it.”
“They are not people,” North Carolina says. “They are property.”
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“No, sir,” Jefferson says, “they are people who are being treated as property.”

And here we are, 244 years later, having that same conversation. On the Fourth two people painted over a “Black Lives Matter” sign on a street, proclaiming, “The narrative of police brutality, the narrative of oppression, the narrative of racism, it’s a lie,” and two days ago when Joe Biden said in his Fourth of July message that all people are created equal, the spokesman for the Republican Party accused him of trying to destroy the Declaration of Independence. “It says ‘All MEN are created equal,’” she said huffily.

We’re in troubled times, just like they were, struggling to deal with life-and-death problems in circumstances “a more generous God would not have allowed,” as Franklin said. And yet, just as in 1776, there’s hope.

On the Fourth, my daughter Cordelia posted a message on Facebook in which she quoted both 1776 and an actual letter written by our second president. She wrote, “Happy Independence Day 2020. The Declaration of Independence indicated that we have the rights to ’Life, Liberty, and the Pursuit of Happiness.’ 244 years later and we’re still struggling to deliver on this promise to many of our citizens. But as John Adams said, ‘Yet through all the Gloom I can see the Rays of Ravishing Light and Glory.’ We as a country are getting better, and we just need to keep striving.”

“I hear the bells ringing out,” John Adams sings, a paraphrase of that same letter. “I hear the cannons roar. I see Americans–all Americans–free forevermore.”

1776 still speaks to us after over 50 years. Plus, it’s a wonderful musical, funny and suspenseful and heartbreaking. If you’ve never seen it–or were stupid enough to say, “A musical about the Declaration of Independence! How ridiculous!” like we were–please watch it. You won’t be sorry.

Happy Fourth of July!
Connie Willis

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2020 Locus Awards Hosted by Connie Willis and Daryl Gregory

https://locusmag.com/2020/06/locus-awards-online-presentation-2020/

You can watch the virtual Locus Awards Presentation with Connie Willis and Daryl Gregory co-hosting.

As part of her hosting, Connie provided a Pandemic Quiz for everyone to take.

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You can see the list of winners here.

We hope to have the text of Connie’s Pandemic Quiz here soon.

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TWO STIRRING ANTHEMS

TWO STIRRING ANTHEMS

“If your voice held no power they wouldn’t try to silence you.”
Unknown

These past few months have been full of news that makes you despair, so much that you don’t want to know what’s going on, but every once in a while somebody does something that makes you think we’re not going to hell in a hand basket after all–or anyway not going quite so fast.

Today it’s musicians–two separate songs that you have to hear (and see) to fully appreciate. First, a Portland State University student, Madison Hallberg, was standing outside recording the National Anthem for her school’s virtual graduation, when a young African-American guy happened by and joined her.

Only it wasn’t just any young man. It was Emmanuel Henrick, a classical music and opera singer. The result was magical:

https://www.youtube.com/watch?v=y2V0rG_4Ax4

(if this link doesn’t work, google Portland State University National Anthem)

The second song was from the Dixie Chicks, or rather, the Chicks. The group has dropped the word “Dixie” from their name because of its overtones of slavery and the Confederacy. “We want to meet this moment,” they said. That was a constructive action at this moment when Confederate statues are coming down and NASCAR is banning the Confederate flag, but by itself it’s not what restored my faith in humanity. It’s the video they just released that did it.

It’s called “March March,” and the song is great, talking about how every person is an army of one, a phrase borrowed from the U.S. Army’s ads, and then explaining how single individuals, banded together, can form movements that change the world, but it’s the visuals that are so incredible.

The video begins with the quote, “If your voice held no power they wouldn’t try to silence you” and then shows us footage of a single black man, dancing in front of a line of police in riot gear and then to a lone woman waving a rainbow flag.

There are shots of the last four weeks’ protests and then of marches and protests through the years, from those of suffragettes to the Women’s March the day after Trump was inaugurated, connecting Black Lives Matter to the long tradition of marching for rights and against injustice.

They’re all here: Martin Luther King, Jr.’s March on Washington, the Colored Women Voters, Gay Liberation, Black Liberation, anti-Vietnam and Iraq War rallies, and protests against lynchings and mass shootings and fossil fuels, and for the ERA and school desegregation and women’s and LGBTQ rights.” So are the signs they carried: “Peace” and “March for Our Lives” and “Black Trans Lives Matter” and “Men Will Never Be Free Till Women Are” and “Race Prejudice is the Offspring of Ignorance and the Mother of Lynchings” and “I am Stronger than Fear.” And a sign reading, “I Matter,” held up by a five-year-old boy.

There are videos of the violence these protesters have faced, and pictures of the courageous people who’ve led those protests are here, too–Greta Thunberg and Gloria Steinem and Malala Yousafzai and Emma Gonzalez and the Parkland Kids. Plus the names of all the black lives snuffed out by the police, starting with George Floyd and Ahmaud Arbery and ending with Emmett TillIt has given another chance to the ED patients discount buy viagra to live a passionate sexual life. Read what is offered and make sure that he does not face the same issue again and again or direly (counting amid cialis samples visit now the center of the night). on line cialis There is no permanent and forever cure for this sickness, specifically in conditions where the standard treatment has been deferred. Here, the man has to face problems in your http://amerikabulteni.com/2011/07/16/chavez-surprises-with-plan-to-return-to-get-chemotherapy-in-cuba/ levitra online relationship as you will be unable to reach an orgasm. . And all in a four-minute music video.

After the song ends there’s a list of organizations to contact, including Black Lives Matter, the Native American Rights Fund, and the Innocence Project.

This isn’t the first time the Chicks have spoken out. In 2003, nine days before the U.S. invaded Iraq, they told their audience at a concert in England, “Just so y’all know, we’re ashamed the President of the United States is from Texas.”

That one remark cost them heavily, nearly destroying their careers. Country music stations banned them from the airwaves, fans boycotted them, Toby Keith called them traitors, and they endured booing audiences and death threats.

Nevertheless, they persisted, refusing to apologize for being disrespectful, saying, “The President doesn’t deserve any respect,” and releasing a song called “Not Ready to Make Nice” and an album called “Shut Up and Sing.” They protested the convictions of the West Memphis Three, and did benefits for LGBTQ and hurricane relief and Vote for Change. And now they’ve released “March March.”

It’s a song of hope and resolve and pride, and a stirring call to action. I predict “March March” will become an anthem for protesters and marchers, taking its place alongside “We Shall Overcome” and “Bread and Roses” and “The Times They Are A’Changin’.”

It’s simply an amazing video. But my description can’t really do it justice. You need to see it for yourself:

https://www.youtube.com/watch?v=xwBjF_VVFvE

#Black Lives Matter

Connie Willis

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BOOKS AND MOVIES: DOUBLING YOUR PLEASURE

BOOKS AND MOVIES: DOUBLING YOUR PLEASURE

Okay, the world continues to go mad, with Covid-19, racism, and social injustice rampant. (Tonight, for instance, they’re tear-gassing people in D.C. again, coronavirus cases in Arizona are spiking, and two megachurch conmen are claiming they’ve invented a new air conditioning that kills 99.9 per cent of the virus. Note: They haven’t.)

I spend most of my days yelling and/or screaming at the TV and obsessing about how nuts everything is and how many things need to be fixed, and today’s no exception, but some of the time, just to keep a tenuous hold on our sanity, my family and I try to think about stuff that has nothing to do with the mayhem around us. To that end, my husband quilts, my daughter does the Getty Art Challenge, I read Agatha Christie mysteries, and together my daughter and I make up lists of favorite books and movies.

We thought you might need to take a mental break occasionally, too, so we’re sharing this, but I don’t want you to think that we’re not still VERY AWARE of how much is wrong and how much we need to do to rescue the world from its current messes.

So, in that spirit…

My daughter Cord and I had so much fun coming up with our lists of books that we reread over and over again, that we decided to put together another list, this one of movies and books that you should definitely read and/or watch.

People always talk like it’s a given that the book is better than the movie. There are certainly plenty of examples of that, from Ross Lockridge’s RAINTREE COUNTY and William Goldman’s THE PRINCESS BRIDE to Carrie Fisher’s POSTCARDS FROM THE EDGE or any of the movie versions of Vladimir Nabokov’s LOLITA. But there are also some where the movie’s way better than the book, like, say, JAWS and NANNY MCPHEE. There are also some where both the book and the movie suck, like MOSQUITO COAST. (When I went to see the movie–mostly because Harrison Ford was in it–it was terrible, and I thought, “Well, that made no sense. I bet the book is better.” The book was NOT better.) And occasionally you may even get a weird outlier like MEAN GIRLS, which has a great plot despite being based on a nonfiction (albeit interesting) teen self-help book.

BUT there are also lots of books and movies which are both great. Here’s my top ten list (in no particular order of excellence):

1. BOOK: THE THIRTY-NINE STEPS by John Buchan
MOVIE: THE THIRTY-NINE STEPS (1935, with Alfred Hitchcock, Robert Donat and Madeleine Carroll)
& THE THIRTY-NINE STEPS (2008, with Rupert-Penry Jones and Lydia Leonard)

Most people today don’t know who John Buchan was, which is a pity, because he wrote lots of exciting adventure novels, like GREENMANTLE, PRESTER JOHN, and WITCHWOOD, but his most famous is THE THIRTY-NINE STEPS. It’s the story of an innocent man suddenly accused of murder and involved in a dangerous conspiracy, which is why Alfred Hitchcock was probably drawn to it. He made it into a movie in 1935 which is still edge-of-your-seat suspenseful, but also has a charming romantic comedy in it, and wonderful visuals. My favorite scene is the one at the end where a really moving death is counterpointed by a line of chipper, kicking showgirls. It’s Hitchcock at his best. I also love the 2008 version, done by the BBC, a darker and daring version set in World War I, which keeps the best of the Hitchcock movie while adding terrific touches of its own–including a completely unexpected ending.

2. BOOK: THE YEAR THE YANKEES LOST THE PENNANT by Douglass Wallop
MOVIE: DAMN YANKEES

I grew up rooting for the Brooklyn Dodgers and hating the “damn Yankees,” who seemed to win every single World Series (because they did.) And nobody was more of a victim of the Yankees than the poor Washington Senators, so the book by Douglass Wallop was badly needed wish fulfillment, and it’s very good.
So is the movie that was made from it, DAMN YANKEES, partly because it has Gwen Verdon, and Ray Walston as the best Satan ever. (Warning: You may get “Those Were the Good Old Days,” with the line, “and cannibals munching a missionary luncheon” stuck in your head for weeks.) But it’s also because of “You’ve Gotta Have Heart” and “Two Lost Souls” and the ironic scene where Joe’s wife tries to help him and ruins everything. They’re both very enjoyable, and something to watch to get us through this sadly-missed baseball season.

3. BOOK: THE THIN MAN by Dashiell Hammett
MOVIE: THE THIN MAN (with William Powell and Myrna Loy)

The novel’s one of noir’s classics, along with THE MALTESE FALCON, which Hammett also wrote, and Raymond Chandler’s novels, and the movie’s a classic, too, and one of the very few films that shows
marriage as something that might actually be fun. From the very beginning, where Nora’s walking Asta, to Christmas morning, with Nick lying on the couch playing with the BB-gun he got for Christmas while Nora mixes martinis and looks gorgeous, it’s fun all the way through. And it’s full of gangsters, bookies, snitches, and society dames. As Nora says, “Oh, Nicky, you know such interesting people!” (Note: If you haven’t read the book or seen the movie, you definitely should, if for no other reason than to find out who the thin man is. It’s not who you think it is.)

4. BOOK: A BEAUTIFUL MIND by Sylvia Nasar
MOVIE: A BEAUTIFUL MIND (with Russell Crowe, Paul Bettany, and Jennifer Connelly)

The book covers all of genius John Nash’s troubled life, battle with mental illness, his scientific accomplishments, and his winning of the Nobel Prize, which is something the movie can’t do. That’s one thing in which books have the edge–they can convey lots more information and much more detail than movies. But the movie does something I didn’t think was possible–it takes us right inside John Nash’s mind and makes us see the world as his schizophrenia made him see it. And it has one of the most stunning reversals I’ve ever seen in a movie. I literally gasped.

5. BOOK: SENSE AND SENSIBILITY by Jane Austen
MOVIE: SENSE AND SENSIBILITY (with Emma Thompson, Kate Winslet, and Hugh Grant)

It’s impossible to improve on Jane Austen, but Emma Thompson almost pulls it off in her brilliant script for the 1995 movie, SENSE AND SENSIBILITY. She got rid of a bunch of extraneous characters and equally extraneous scenes and made the younger sister Margaret (a mere cipher in the novel) into a charming and fully-developed character who by the end was my favorite: “He’s kneeling down!”
Both the book and the movie are delightful, and if they don’t sate your appetite for SENSE AND SENSIBILITY, you can also read SENSE AND SENSIBILITY WITH SEA MONSTERS or watch the BBC miniseries with Hattie Morahan and Charity Wakefield. Or the modern-day adaptation set in East L.A. with two Latina sisters, FROM PRADA TO NADA.

6. BOOK: ANNE OF GREEN GABLES by L.M. Montgomery
MOVIE: ANNE OF GREEN GABLES (1985 miniseries with Megan Follows, Jonathan Crombie, and Colleen Dewhurst)

The 1934 movie version I saw wasn’t very good, but it did one good thing–it led me to L.M. Montgomery’s wonderful series about Anne of Green Gables. I didn’t think it was possible to make a movie that would be as good as the books, but then in 1985 Canadian television did it, with a wonderful mini-series that captured everything that was magic and humor of the book and had the additional joy of being filmed on Prince Edward Island, one of the most beautiful places in the world.

7. BOOK: DO ANDROIDS DREAM OF ELECTRIC SHEEP by Philip K. Dick
MOVIE: BLADE RUNNER (the Director’s Cut, with Harrison Ford, Rutger Hauer, and Sean Young)

Most of the movies I listed are here because they’re faithful to the books they were made from, but not in this case. BLADE RUNNER is completely different from DO ANDROIDS DREAM OF ELECTRIC SHEEP? The book is thought-provoking and frightening, with great stuff like the artificial animals that replace the nature we’ve destroyed and the androids’ lack of a survival instinct, and BLADE RUNNER is, I think, the best science-fiction movie ever made. They’re both brilliant. (Note: Philip K. Dick is probably the greatest writer to ever write science fiction, and we here in Colorado get to claim Philip K. Dick as a Colorado writer, since he was born in Fort Morgan, only 50 miles from where I live, and buried there.)

8. BOOK: IN GOD WE TRUST, ALL OTHERS PAY CASH by Jean Shepherd
MOVIE: A CHRISTMAS STORY

I don’t need to say anything about A CHRISTMAS STORY. It’s become a Christmas classic, and rightly so. In our house we constantly quote it–“I triple dog dare you!” and “You’ll shoot your eye out, kid,” and “Flick? Flick who?” One of the best things about the movie for me was that it introduced me to Jean’s writing, which I hadn’t known about before. I love all his books and essays, especially “Ollie Hopnoodle and the Haven of Bliss,” which captures my childhood family vacations better than I thought possible.

9. BOOK: OUTWARD BOUND by Sutton Vane
MOVIE: BETWEEN TWO WORLDS (with Edmund Gwenn, Sydney Greenstreet, and John Garfield)

OUTWARD BOUND was a stage play and then a novel before it was a movie, and there are two versions, 1930’s OUTWARD BOUND and 1944’s BETWEEN TWO WORLDS. I recommend all of them, but especially BETWEEN TWO WORLDS. It’s about two lovers who find themselves aboard a ship headed for, they think, America during the war. The ship is running without lights, it doesn’t seem to have very many passengers, and there are other odd things about it. I first saw it on Academy Matinee when I was a kid and thought it was the creepiest and coolest Twilight Zone episode I’d ever seenThis pill must be stored at a room temperature which should be 15 from uk viagra to 30 degree. L-Arginine – It is an amino acid that helps boost nitric oxide in tadalafil 10mg uk the body. When your female free viagra india libido is having a plunge and your relationship have suffered an emotional and physical betrayal and modern studies suggest that this is on the rise. The affordable investment for the purchase of this tool is another purchase viagra from india factor that will attract you towards it. . It still is. Setting it during the war adds an additional dimension that makes it really special, but the book is terrific, too.

10. BOOK: THE SEARCHERS by Alan LeMay
MOVIE: THE SEARCHERS (with John Wayne, Jeffrey Hunter, and Natalie Wood)

Alan LeMay is my favorite Western writer of all time (with Larry McMurtry running a very close second), and his THE SEARCHERS is his best book, in my opinion, and the movie, THE SEARCHERS, is the best Western movie ever made. (If you’ve written it off as a John Wayne movie, you’ve obviously never seen a John Wayne movie. The stereotype of the prejudiced, violence-loving tough guy comes from Wayne’s later years, not from FORT APACHE, SHE WORE A YELLOW RIBBON, STAGECOACH, and THE SHOOTIST, which are all wonderful movies and far ahead of their times.) Wayne’s character in THE SEARCHERS hates Native Americans, but he is NOT the hero. The movie and the book are different, and they have different endings. I recommend them both.

Here’s my daughter’s list (again in no particular order):

1. BOOK: BLACK HAWK DOWN by Mark Bowden
MOVIE: BLACK HAWK DOWN (2001, with Josh Harnett, Eric Bana, Ewan McGregor, etc.)

I saw this movie in the theatre when I was visiting a friend, and the next day I bought the 470-page book in the airport bookstore and started devouring it on the plane. My friends back home planned to see the movie one week later, and I was determined to get the book finished before I saw the movie again, which meant I was standing in the theatre lobby reading the last few pages as the previews were showing (but I made it!) Both the movie and the book do an amazing job of telling the story of this real event, and they absolutely complement each other: the book goes into greater detail about the background whereas the movie helps you experience the sights and sounds of modern-day warfare directly. I highly recommend both!

2. BOOK: THE POSEIDON ADVENTURE by Paul Gallico
MOVIE: Irwin Allen’s THE POSEIDON ADVENTURE (1972, with Shelley Winters, Gene Hackman, Ernest Borgnine, etc.)

One of the earliest disaster films, my best friend Greta and I would regularly act out THE POSEIDON ADVENTURE, with me as singer Nonnie, Greta as teenager Susan, and the two of us dividing up equally those characters who live and die. And did I mention we were 5-years-old when we were doing this? Not your typical favorite movie for little girls, but we loved it! When I was rewatching it on video years later, my mom mentioned it was based on a book, so naturally I had to read it. The book was much darker, but I loved it just as much. I prefer what happens to the young boy Robin in the book (because you never actually know what happened), but I prefer that in the movie you don’t see Linda get impaled!

3. BOOK: HIGH ROAD TO CHINA by John Cleary
MOVIE: HIGH ROAD TO CHINA (1983, with Tom Selleck and Bess Armstrong)

Being set in the 1920s and involving romance, adventure, and biplanes, this was my favorite movie in junior high! I even got my hair cut just like Bess Armstrong’s! A few years later I discovered the novel the film was based on…and I discovered the novel bore little resemblance to the movie (or perhaps I should say it the other way around). However, I really enjoyed the book, which I never would have read without the movie.

4. BOOK: HOMICIDE: A YEAR ON THE KILLING STREETS by David Simon
TV SERIES: HOMICIDE: LIFE ON THE STREET (particularly seasons 1 & 2 from 1993-4, with Yaphet Kotto, Andre Braugher, Richard Belzer, etc.)

Here’s another non-fiction book that was adapted for the screen, this time the small one. Journalist David Simon took a year-long leave from his police beat at the Baltimore Sun to follow around a shift of homicide detectives from the Baltimore Police Department. This book is so informative, it was required reading in my forensics law class (but I’d already read it twice before that!) NBC decided to turn the book into a cop show, with the original characters based loosely on the real-life detectives and the first 13 episodes involving many of the actual cases from the book. While the show was an extremely accurate portrayal of the tedium of detective work, the network worried that there wasn’t enough action (in one episode not a single character leaves the building during a night shift) so more drama was inserted into the show in later seasons. But both the book and the show demonstrate how exciting the drudgery of paperwork can be when it leads to catching a murderer. However, if you like closure, these may not be for you—one of the central cases in the book (and dramatized on the show) was never solved.

5. BOOK: LONESOME DOVE by Larry McMurtry
TV MINI-SERIES: LONESOME DOVE (1989, with Tommy Lee Jones, Robert Duvall, Danny Glover, etc.)

I mentioned in our list of re-read books that I got into this novel via the mini series. The mini series has amazingly talented actors that perfectly embody their characters and will make you laugh and cry and feel like you’re actually on the trail with Gus and Call. It also has a great soundtrack, which I hear in my head when I’m re reading the book. The novel is long so it goes into more detail, and it’s so well written that you’ll want to read it more than once (or perhaps three times back to back!) I must admit that I prefer the TV ending, which uses an amazing montage of powerful moments to tie everything up (and makes me cry even as I type this!)

6. BOOK: ALICE’S ADVENTURE IN WONDERLAND & THROUGH THE LOOKING-GLASS by Lewis Caroll
ADAPTATIONS: Syfy’s ALICE (2009, with Andrew Lee Potts, Caterina Scorsone, & Matt Frewer)
& DREAMCHILD (1985, with Coral Browne, Sir Ian Holm, & Amelia Shankley)

I grew up obsessed with the ALICE books (and I played the caterpillar in our 4th grade musical), but I never felt any of the adaptations captured the creepiness of it all. The Syfy Channel created a mini series with a plot that is nothing like the original books…but it captures all the unease and wonder of what it would be like to suddenly find yourself in a Wonderland that is disturbing and unknown (plus it has Andrew Lee Potts as the sexiest Hatter ever!) And DREAMCHILD, which tells the background story of how ALICE IN WONDERLAND was written, is also a fave in our family, with my mom and me sobbing in the balcony of the movie theatre long after the credits were done! The scenes from ALICE that appear in DREAMCHILD–with characters performed by Jim Henson’s team with ST:TNG’s Gates McFadden choreographing the puppets!–are the only ones I’ve seen that truly capture the original books for me.

7. BOOK: A LITTLE PRINCESS by Frances Hodgson Burnett
BRITISH MINI-SERIES: A LITTLE PRINCESS (1986, with Amelia Shankley & Maureen Lipman)

I love Shirley Temple, but I always disliked her version of this book bp[-ecause it was way too cheerful. The British mini-series made in the 80s truly captures everything I loved about this book. You get to experience the true weight of what is happening to Sara Crewe as if you, too, were living this riches-to-rags story, and while it has a happy ending, it’s not the saccharin one added to the Shirley Temple version. Interestingly, we discovered this version because it stars the Alice from DREAMCHILD as Sara.

8. BOOK: LES MISERABLES by Victor Hugo
BRITISH STAGE MUSICAL: LES MISERABLES (1985, produced by Cameron McIntosh & music by Schoenberg)

I was introduced to this amazing work of literature through the musical. I remember my mother trying to give a “brief” synopsis of the 1232-page novel to me and my dad before going to see the touring company back in the 80s. I loved the show for years and had the entire British score memorized, so when the 25th Anniversary concert was aired in 2010, I realized that I was ready to read the book…and I’m so glad that I did! It was amazing to me that you don’t even meet Jean Valjean until p. 92, and many important book events are reduced to only a lyric or two in the show. But the visceral experience of watching the live stage show (or better yet, being in it!) brings this complicated, nuanced story to life, and any fan of one should definitely seek out the other. And while the 2012 movie tried hard with its “live singing” (and added in Gavroche’s elephant, which is my fave part of the book!), I don’t feel it truly captured the power that the stage show has.

9. BOOK: EMMA by Jane Austen
MOVIE: CLUELESS (1995, with Alicia Silverstone & Paul Rudd)

Believe it or not, I had never read a Jane Austen book when I saw CLUELESS. Therefore my mom had to point out that the plot of the movie was actually the plot of EMMA, and that’s when I started through all of Jane’s books. Many of the movie adaptations of Jane’s works are great–Colin Firth will always be Mr. Darcy, and I picture Mr. Kohli and his “No life without wife” in place of Mr. Collins–but I feel CLUELESS is the only EMMA adaptation that truly lets the audience experience the story in the way that Jane’s contemporaries would have, “as if’s” and all!

10. BOOK: THE LORD OF THE RINGS by J.R.R. Tolkien
MOVIES: Peter Jackson’s trilogy THE LORD OF THE RINGS (2001-3 with Elijah Wood, Sir Ian McKellen, Viggo Mortensen, etc.)

My mom read THE HOBBIT to me as a wee thing, and as soon as I was old enough, she pressured me to read LotR. I admit I started it, but I petered out during the Tom Bombadil section and never got past it. But that didn’t mean I didn’t know the plot—my mom had often told me stories about Merry and Pippin being eaten by Old Man Willow or Aragorn and Arwen’s star-crossed love. When the first of the Peter Jackson movies came out, my mom said, “I’m so glad you love the movie because I know you won’t be able to wait to find out what happens.” Taking this as a personal challenge against my own stubbornness, I did read the books…but only after each successive movie came out(which meant I had to wait till after the RETURN OF THE KING film to read the Shelob section of THE TWO TOWERS). But the books were amazing, just as my mom had always said. I agree with most of the changes made for the movies (such as cutting out Tom Bombadil and having Merry recognize Eowyn in her Dernhelm disguise); if you miss those parts, the original books will always be there for you to reread, poetry and all (though is it possible to read “Home is behind, the world ahead” now without hearing Billy Boyd’s lilting voice?)



As you can see, we had a lot of overlap in the books/movies we love, and it was fun fighting over who got ANNE OF GREEN GABLES and figuring out who got which Jane Austen.

As you can also see, we found many of these books through the movies and vice versa, and Cord and I highly recommend that method of discovering new works and authors. I discovered ANNE OF GREEN GABLES by reading the credit on the 1930s version of the movie I watched on Acadamy Matinee, and I found Mary Stewart (one of my favorite writers) the same way, by noting the “Based on the Book by Mary Stewart” in the credits of THE MOONSPINNERS.

Happy reading and watching!

Connie and Cordelia Willis
Posted in Updates | Comments Off on BOOKS AND MOVIES: DOUBLING YOUR PLEASURE

ON THE SURREAL SITUATION WE FIND OURSELVES IN

ON THE SURREAL SITUATION WE FIND OURSELVES IN

by Connie Willis

The first thing I thought of when I saw the horrific police murder of George Floyd was the Salem witch trials. Most people think the innocent victims of those monstrous trials were burned at the stake, but they weren’t–they were hanged. Mostly. Fourteen women, five men, and two dogs were executed by hanging. And one, an eighty-one-year-old farmer named Giles Corey, was pressed to death by putting a large flat stone on his chest and then piling more stones on top of it till they crushed the life out of him.

Basically the same thing happened to George FloydDried dates and nuts: viagra levitra Dried dates are very much beneficial for boosting up stamina and libido which help to enhance your erections. Pomegranates viagra soft are available September – January; otherwise, you can buy pomegranate juice year round. Must be careless, or delay in treatment time.Ulcer disease is often from the digestive system disorders, such as bloating, diarrhea or constipation sildenafil india and other conditions. Adverse health effectsIn September 2010 Canada was crowned first country to declare bisphenol A, better known as BPA, a from uk viagra toxic substance. . The policeman kneeling on his neck cut off his airway, and the other two holding him down pressed him flat against the ground so that his rib cage couldn’t inflate, and he suffocated to death.

The atrocities in Salem were precipitated by a belief that Evil was loose in their community.

It was, but it didn’t reside in the helpless slaves and old women and religious dissenters (and people who dared to speak out against what was happening) who were “tried” for witchcraft and executed.

The terrible irony of Salem is that the evil they were trying so hard to stamp out resided in the pious Christian town folk who accused them and the self-righteous judges who presided over their mock trials– “spectral evidence” was allowed, and they were pronounced guilty of crimes they had supposedly committed in the town even though they were locked up in jail at the time–and sentenced them to death.

The crimes brought to light by the death of George Floyd haven’t just been the murders of other African-Americans killed by the police, but other crimes the police have committed and are committing: the brutalizing of people exercising their First Amendment rights, the calling out of troops against the citizens they’re supposed to protect, and administration officials directing them to do so, calling for violence against their own people. Crimes by so-called law-abiding citizens and the officials they’ve put in office to “serve and protect” the public.

Law enforcement agencies sent out a tweet earlier this week asking for protesters to send them videos of people committing crimes at the protests.

People did.

The videos were all of the police as they engaged in savage attacks on protesters.

As one person tweeted, only half in jest, “The call’s coming from inside the house.”

It is, indeed, and for the last two weeks we’ve all watched in horror and disbelief as we witnessed things we never thought we’d ever see happen:

–a man being murdered ON TAPE by a police officer with his hand in his pocket
–police cars driving straight into a crowd of protesters, just like at Charlottesville, only this time it was the police doing it
–officers pushing a 75-year-old man down to the ground and leaving him there, bleeding from his ear, and then lying about what happened, claiming he had “tripped” (what really happened is right there on video)
–police dragging a couple from their car and tasing them
–an Indianapolis cop groping a female protester and beating her with a baton, and then, when she tried to get away from him, shouting to his fellow officers to “Hit her! Hit her!” and holding her as they shot her with pepper balls at close range
–National Guard troops unleashing tear gas and explosives on clergy and peaceful protesters to send them fleeing so the President could have his photo taken in front of a church
–troops knocking down journalists, arresting them, and shooting them with rubber bullets while they were trying to report on the protests
–barricades and fences going up around the White House (which actually belongs to us)
–military trucks and armored Humvees rolling down the streets of the nation’s capital
–helicopters buzzing protesters just like they did terrorists in Fallujah
–troops in riot gear standing three-deep in front of the Lincoln Memorial and looking exactly like stormtroopers
–the President of the United States threatening protesters with “ominous weapons” and “the most vicious dogs” (which immediately evoked memories of Civil Rights marchers in the Sixties being attacked by dogs and having fire hoses turned on them)

And in the middle of all this, Senator Rand Paul blocking the passage of an anti-lynching bill in the Senate.

Senator Paul said he was against the bill because the language was “too broad.”

Well, it needs to broad.

Broad enough to include:
–murdering someone by kneeling on their neck for eight minutes and forty seconds
–chasing down a jogger and shooting him ON FILM
–chaining a homeless black man to the back of a truck and dragging him behind it till he dies
–asking a motorist for his ID and then shooting him when he reaches for his wallet
–shooting a teenager walking home from the store where he’d bought Skittles and a Coke
–gunning down a deli worker for selling cigarettes on the street
–shooting a woman EIGHT TIMES as she lay in bed while searching for suspects who were already in jail
–shackling a man in the back of a police van and then driving around till his spine severed
–and shooting a black shopkeeper THREE DAYS AGO (the officers who did it–oops, accidentally had their body cameras turned off.)

I am, like all those protesters jamming the streets and all those athletes and movie stars and generals speaking out, beyond outrage at the rank injustice of what’s happening and the callous response of elected officials. And beyond fury at President Trump, who constantly fans the flames of the violence and cruelty we’re seeing, quoting a police chief who threatened Civil Rights marchers with shotguns and told them, “When the looting starts, the shooting starts,” warning governors that if they don’t “crack down” on the protesters, he’ll send in “thousands of heavily armed soldiers” and “solve their problem for them,” threatening to unleash “the unlimited power of the military” on us.

Oh, my God, they’re right.
The call’s coming from inside the house.

Just like it was in Salem.

Salem is now remembered as a terrifying and shameful example of what happens when societies abuse their power and give way to their fear and hatred.

And if we don’t all stand up and speak out now, we risk becoming just like Salem, a symbol of cruelty and madness and rampant injustice.

And evil.

#BlackLivesMatter

Posted in Updates | Comments Off on ON THE SURREAL SITUATION WE FIND OURSELVES IN

THE BOOKS WE RETURN TO AGAIN AND AGAIN

THE BOOKS WE RETURN TO AGAIN AND AGAIN

“If you cannot enjoy reading a book over and over again,
there is no use in reading it at all.”
Oscar Wilde

My daughter found a challenge on Facebook in which you were supposed to list the books which had most influenced you. What that meant was left up to the individual, and obviously there are a lot of ways to look at “influence.” Does it mean the books that were the most life-changing when you read them or the books that, looking back, influenced your behavior, or what? My daughter decided to interpret it as the books she’d read over and over, the ones she kept returning to again and again.

I loved her list and decided to come up with one of my own.
I’ve included both in this post.

Here’s my top ten list of books I keep returning to in times of trouble and stress–or just because I love re-reading them:

1. LITTLE WOMEN by Louisa May Alcott
I won an abridged version (with lots of illustrations) when I was in sixth grade and practically wore it out. In seventh grade I inherited a copy of the full novel (a beautiful book with pale green- and-pink flowers on the cover and silver lettering) and read the whole thing. I know whole scenes by heart and, in spite of really liking the movies (especially the Winona Ryder version), I still love reading the novel.

2. HAVE SPACE SUIT, WILL TRAVEL by Robert A. Heinlein
I know whole passages of this one, too. It was my first introduction to science fiction and my first love, and I’ve read it many, many times. I stumbled across it in the junior high school library and instantly fell in love with it. I love lots of Heinlein’s books, like THE DOOR INTO SUMMER and DOUBLE STAR and TIME FOR THE STARS, but this is my favorite.

3. ANNE OF GREEN GABLES
I loved this book so much in high school that I tried making my own copy of it, writing it all down in those black-and-white composition books (I made it through the first chapter, and that was the first time I realized how much work writing a book is.) I just reread the series for the umpteenth time just before the pandemic hit. (Note: Her other series, EMILY OF NEW MOON, is really good, too.)

4. LORD OF THE RINGS by J.R.R. Tolkien
I stumbled across this one, too, while looking for something long to read on a cross-country flight–I was in college and flying out to the East Coast to break up with my boyfriend. I was in love with the hobbits and Gandalf from the very first page, and by the time I got to Newark, I was so involved in the story, I’d forgotten all about breaking up. (We’re celebrating our 53rd anniversary this summer.) The first time I read the book, I raced through it, skimming the Merry and Pippin sections in my anxiety to find out what had happened to Frodo and Sam, and then when I finished it, immediately went back and read it again–this time more slowly. Since then I’ve read it so many times its scenes are completely real to me: the inn at Bree, the falls at Rauros, the Marshes of the Dead, and most of all, the Shire, which I wish I could live in forever.

5. THREE MEN IN A BOAT by Jerome K. Jerome
My favorite comic novel, hands down. When I read HAVE SPACE SUIT, WILL TRAVEL, Kip’s Dad is quoting from the book in the first chapter, so when I’d finished it, I went straight to the library to find it. I’ve read it on planes (laughing uproariously), in a wretched B & B in London (ditto), at Hampton Court (because of the maze), and at the Royal Swannery (because of the part where Harris tells George and J that he “battled the swans and killed them all, and they paddled away to die,” one of my favorite lines in all of literature.

6. GAUDY NIGHT by Dorothy L. Sayers
This is the one crossover book for my daughter’s and my lists, and I’m happy to say I introduced the book to her when we went to Oxford for the first time. She apparently loved it as much as I did. I love all four Lord Peter Wimsey-Harriet Vane mysteries–STRONG POISON, HAVE HIS CARCASE, GAUDY NIGHT, and BUSMAN’S HONEYMOON–and I also love NINE TAILORS and MURDER MUST ADVERTISE. I’ve read all of them multiple times, but GAUDY NIGHT is my favorite because, to me, it not only represents Sayers but Oxford, and I adore Oxford.

7. ALL CREATURES GREAT AND SMALL by James Herriot
I actually mean all four of the books in the series, but I’ve read the first of them more than the others, most memorably when my daughter was in the hospital at age eight, and I was frantically worried about her. Herriot not only took me out of myself, but made me laugh, and he still makes me laugh all these years later.

8. 4:50 FROM PADDINGTON by Agatha Christie
My husband can always tell when I’m under stress because I start rereading every Agatha Christie mystery I own, followed by every Mary Stewart novel, and finally (if I’m REALLY upset, like when I’m trying to finish a novel) all the Beany Malone books. I can’t really say I have a favorite Agatha Christie, but I picked 4:50 FROM PADDINGTON because it not only has Miss Marple and a wonderful heroine, but Christie’s playing a game with the reader as well, creating a minor mystery at the end which people have argued about for years. (Note: Other contenders were THE MOVING FINGER, THE ABC MURDERS, and THE MIRROR CRACK’D, which is singularly appropriate for this pandemic, since it’s all about asymptomatic carriers of disease.

9. THE MOONSPINNERS by Mary Stewart
Mary Stewart’s modern Gothic novels are the second stage in my stress comfort reading, and I usually rip through all of them, TOUCH NOT THE CAT, NINE COACHES WAITING, THE GABRIEL HOUNDS, WHAT ROUGH MAGIC, one after the other. I picked THE MOONSPINNERS because that was the first one I read, after seeing the Hayley Mills movie in high school. Reading the credits to see if the movie had been based on a book was–and is–one of my favorite ways of finding new things to read, and I was delighted to find that not only was THE MOONSPINNERS a book, but that there were a dozen others.

10. PICK A NEW DREAM by Lenora Mattingly Weber
But my true comfort reading has always been the Beany Malone books. I’ve read them when I was stuck on a story (they have great plotting), when I was sidelined with back surgery, and during this pandemic. Like the Mary Stewarts and the Agatha Christies, I read straight through them all, but I chose PICK A NEW DREAM because it was the one Lenora Mattingly Weber had just finished writing when she spoke at the Denver Pen Women’s meeting where I was lucky enough to meet her.

Here’s my daughter’s list:

1. INTO THE DREAM by William Sleator
This science fiction kids’ book involves prescient dreams, telekinesis, UFOs, and the most terrifying of all things: Ferris wheels! I ordered this book from the Scholastic Book Club in 5th or 6th grade, and I reread it every few years when I need some shivers down my spine!

2. LORETTA MASON POTTS by Mary Chase
This creepy book is by the author of the play HARVEY and involves a long-lost unremembered sister, a secret passage in a closet, a palace, and an enchanted bridge, and includes amazing illustrations. I loved this book and reread the library’s copy over and over as a kid, and years later a friend of mine found me a copy when I was lamenting that I didn’t own the book.

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I read a lot of series when I was a kid (including ANNE OF GREEN GABLES and the BETSY-TACY books), but I have reread the ALL-OF-A-KIND FAMILY books the most often. This series is about a Jewish family of 5 girls (thus “all-of-a-kind”) living in NYC in the 1910s. I loved all the details of old-time New York AND all the Jewish holidays that were celebrated. In college I found out my best friend loved the books too, so we reread them together. Later, when I taught for two years at the Tucson Hebrew Academy, I reread each appropriate holiday chapter as the holidays came up throughout the year.

4. ABOUT THE B’NAI BAGELS by E.L. Konigsburg
Best known for FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKWEILER, E.L. Konigsburg wrote many kids’ books, though this is by far my favorite and the one I’ve reread the most. It’s a fun book about a boy studying for his Bar Mitzvah while dealing with his mom managing his Little League baseball team, but at its core it’s about the heartbreak of losing a best friend. “Great pains make great heroes, but toothaches just make lousy batting averages.”

5. DIED ON A RAINY SUNDAY by Joan Aiken
I first fell in love with Joan Aiken when I read her short story “Who Goes Down This Dark Road?” and went on to read many of her novels, including the oft-read THE SHADOW GUESTS. DIED ON A RAINY SUNDAY is a British thriller about a young mother dealing with creepy household help and lots of chilling rain. After checking it out from my school library, I left it lying around the house and came back to find my mom reading it and unwilling to put it down (note her love for Mary Stewart thrillers above.) We ended up sitting side by side on our floor heater, reading the page-turning finale together, and I’ve reread it many times since.

6. GAUDY NIGHT by Dorothy L. Sayers
True, my mom told me about Lord Peter and Harriet when we first visited the Bridge of Sighs, but it was the PBS Mystery version with Harriet Walter and Edward Petherbridge that got me to read the book. I was home for Thanksgiving and my parents were watching the middle episode of GAUDY NIGHT as it aired. Coming into the middle of a mystery is very confusing, so my mom loaned me the book to read on the overnight train back to college. Unfortunately, the winter travel caused me to catch the flu, so the first two days back at school all I could do was lay in bed and read. So while this book is primarily set in summer, I get the urge to reread it every November!

7. LONESOME DOVE by Larry McMurtry
My mom tried to get me to watch the miniseries but I simply couldn’t get into it. A few years later I stumbled upon the middle of the series and got totally addicted; starting in the middle seems to be a common theme. I got the book and ended up reading its 945 pages three times back to back…while living in London! I remember riding the tube home, sobbing as I read the final pages, and then flipping to the front and starting it again, something I’ve never done with any other book.

8. MAURICE by E.M. Forster
I love the movies of Forster’s A ROOM WITH A VIEW and HOWARD’S END, but my fave book of his is MAURICE. This story about homosexual love during Edwardian times wasn’t published until after Forster’s death, and the book demonstrates the pain of having to hide one’s true self from the world. “For during the long struggle he had forgotten what Love is, and sought not happiness…but repose.”

9. DRAMA! THE FOUR DOROTHYS by Paul Ruditis
This is the first in the series of four DRAMA! Books, all of which I recommend. Written nearly a century after MAURICE, the high school narrator in this series is gay, “But don’t worry. This isn’t one of those angst-filled books where I’m struggling to come to terms with what it all means. I’ve long since accepted it. I’m gay. I’m over it.” These books are a fun, snarky take on musical theatre, with a play as the title for every chapter and lots of musical references. These are the books I read when I’m doing a show and need a reminder that there’s always chaos backstage in every theatrical production.

10. MIRACLE ON 34TH STREET by Valentine Davies
My final most reread book was going to be Carrie Fisher’s POSTCARDS FROM THE EDGE, but then it occurred to me that I don’t reread the entire book, I only reread the section, “Dysphoria,” (which I totally love and identify with.) So instead I decided to end this list with a Christmas story (since my mom is such a lover of Christmas!) This book also has the distinction of being the book I’ve reread ALOUD the most; this is because every year at Christmas my parents and I would take turns reading this novelization of the 1947 movie aloud at the dinner table. We’d start after Thanksgiving and read chapters every night in a race to finish it before Christmas Eve. Thanks to this and the fact that I read all of Dickens’ A CHRISTMAS CAROL aloud to my cousin after going to see THE MUPPETS’ CHRISTMAS CAROL movie, I always associate Christmas with reading aloud.

These are are lists.
I’m sure you all have your own lists, and it’s kind of fun to think about which books you’ve read again and again.

Connie Willis
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THE RUBY SLIPPERS AND THE WIZARD’S COAT

NOTE: Like you, I spend pretty much all day every day thinking about the COVID-19 virus and the pandemic we’re currently living through–my husband and I are sheltering in place, wearing masks when we have to go out to walk the dog on campus or get groceries, washing our hands about a trillion times a day, and obsessively tracking the numbers (1,300,000 cases in the US as of today and nearly 80,000 deaths)–and I don’t want you to think I’m not worried or that I’m somehow oblivious to what’s going on. But I think it’s mentally healthy to take your mind off it occasionally and think about something else (kind of like taking a deep, non-virus-laden breath) so I’ll be doing some off-topic posts, which I hope will take your mind off things, too, and remind you that the Pandemic isn’t the only thing in the world. Kind of like Sam Gamgee in the middle of Mordor looking up and seeing a star shining far above the murk. Or in this case, beyond the murk. Hence the following post:

THE RUBY SLIPPERS AND THE WIZARD’S COAT

I just finished reading THE MAKING OF THE WIZARD OF OZ by Aljean Harmetz, about the making of the 1939 movie from L. Frank Baum’s novel, and it’s full of interesting stuff, like how they made the tornado and how they made the Munchkins look (and sound) even smaller than they were) and how they nearly burned the Wicked Witch of the West up trying to make her disappear.

One of the most fascinating sections was about the ruby slippers, which, in case you’ve forgotten, belonged to the Wicked Witch of the East and which Glinda the Good Witch gives Dorothy after the house falls on her (the Witch, not Glinda) and kills her. The ruby slippers protect Dorothy from the Wicked Witch of the West (sort of.) At any rate, the only way to take them off her is to kill her, which makes Dorothy quite a target. (You’d think Glinda would have thought about that.)

They also hold the secret to Dorothy’s getting home. All she has to do is click the heels together and say three times, “There’s no place like home” to be magically transported back to Kansas. That means they’re central to the plot and in many ways the heart of the movie. After Toto, of course.

Like everything else involved in the making of the movie, the ruby slippers were more complicated than they looked. In the first place, the book had specified “silver shoes”, but Louis B. Mayer wanted to show off his Technicolor so he decided they should be red–and that they should “sparkle.”

The resulting ruby slippers were designed by the famous movie designer Adrian, who also created the Scarecrow’s, Lion’s, and Tin Woodman’s costumes and the wildly inventive outfits of the Munchkins (all 124 of them.)

For the slippers, the Wardrobe Department originally used red patent leather shoes, but they couldn’t get the sequins to stick to them, so they tried all sorts of things, eventually deciding on white satin shoes which they dyed red. They also experimented with several styles, including Persian-looking slippers with curled-up toes and fancy heels, before settling on the ones they used with low heels and a bow. (They had decided the Persian slippers didn’t look right on a Kansas farm girl.)

After dyeing the shoes, they sewed all the fake rubies and bugle beads to a piece of organza cut to fit the uppers and glued the organza on, but the beads proved too heavy, so they replaced most of them with sequins. The sequins had to be burgundy because the Technicolor film lightened everything, so if they’d used red, it would have looked orange on screen.

They also glued felt to the soles of the shoes so the shoes wouldn’t clatter when Dorothy walked (and danced) on the yellow brick road. The “sparkle” caused problems, too. The sequins kept catching the light and ruining the shot so that they had to do multiple retakes.

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The Wardrobe Department made several pairs of shoes for Dorothy (size 5B) and several more for her double (size 6B.) This was common on movies–Dorothy had six identical blue-and-white checked pinafores–to allow for accidents, getting dirty, and just plain wearing out. The ruby slippers’ sequins were a particular problem. They kept falling off and/or getting sideways and had to be constantly repaired by Wardrobe, and all that clicking together of heels took a heavy toll on them.

At the end of the movie, according to legend, Judy Garland was offered the shoes but didn’t want them because she had only unhappy memories of the filming, (Judy was complicated, too, and her memories of The Wizard of Oz varied a lot over the years), but at any rate, she didn’t end up taking them, and they got put into storage along with the rest of MGM’s massive costume collection, where some of them were given away (the Persian curly-toed slippers were given to Debbie Reynolds, who wanted to start a Hollywood Costume Museum), and others were lost.

At the breakup of the MGM studio lots in 1970, all the costumes were auctioned off, and the pair of ruby slippers that remained became the centerpiece of the auction. Debbie Reynolds bid on them, and so did the Mayor of Culver City, who wanted them “for all the little children”, but in the end they went to an anonymous donor for the incredible price of $15,000 and eventually ended up in the Smithsonian Institute, where I’ve seen them. During the Centennial in 1976, they also toured with the Smithsonian’s traveling exhibit and were the hit of the show. (I saw them there, too.) They’re known as “the People’s shoes.”

Another pair was purchased by Disney for their Great Movie Ride at Disney/MGM Studios in Florida, a third (valued at two to three million dollars) was acquired by a group including Leonardo DiCaprio and Steven Spielberg for the Academy of Motion Pictures’ new Hollywood Museum, and a fourth pair went to the Judy Garland Museum in Grand Rapids, Minnesota, from which they were stolen in 2005.

The theft resulted in an APB that was truly bizarre: “Be on the lookout for a pair of shoes dark ruby red and valued at $1 million dollars.” It also made international news and resulted in all kinds of rumors–they were at the bottom of a lake, they were in a green shoe box in a shed, it was obviously an inside job, etc. The shoes were finally recovered two years ago with the help of the FBI in a sting operation. The men who stole it were never caught, but everyone was overjoyed to have the shoes back home. “There’s no place like home.”

Every one of the pairs is iconic. People travel from all over the world to see them at the Smithsonian and when told they’re not currently on display have been known to burst into tears. It’s clear the ruby slippers–not Scarlett O’Hara’s dress-made-out-of-curtains or Humphrey Bogart’s trench coat or even Luke Skywalker’s light saber–are the most famous piece of movie memorabilia that’s ever existed. Judy Garland may not have wanted them, but we do.

Oh, and about the Wizard’s coat. For Professor Marvel’s coat in the Kansas part of the film, the Wardrobe Department wanted, as they put it, “grandeur gone to seed,” a once nice-looking coat that had seen better days and become worn and tattered. They couldn’t find anything in their stock, so they went to an old second-hand store, bought a whole rack of clothes, and brought them back for the director and the Wardrobe people and Frank Morgan (the Wizard) to pick from.

They chose a Prince Albert coat of black cotton with a velvet collar which was “ratty with age” and had the nap all worn off the collar.
It fit Frank Morgan perfectly, the director okayed it, and they started shooting. And one afternoon Frank Morgan happened to turn out the pocket, and there on the inside was the name “L. Frank Baum.”

I know, I know, this sounds like one of those fake publicity stories the studios used to churn out, but, according to Harmetz and people who worked on the movie, it really happened. They wired the tailor in Chicago, and he sent back a notarized letter verifying that the coat had been made for Baum, and when the movie was over, they presented the coat to his widow. Serendipity in action? Or magic?

Connie Willis

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JOURNAL OF THE CORONAVIRUS YEAR III

JOURNAL OF THE CORONAVIRUS YEAR III

(published April 2 on Facebook)

I’ve talked about the similarities of our current pandemic to the Spanish flu and the Black Death, and they are certainly everywhere.
Today a reporter interviewed an EMT in Italy who was called to a home where a ninety-year-old man was in extremis from the coronavirus. When the family was asked who he had gotten it from, the two girls there said, “From our father.”
The father had died two days before and the grandmother the day before.
The girls said they had no tears because they had cried them all already.

It reminded me of what Agniola the Fat had said over seven hundred years before during the Black Death in Italy.
He wrote, “This day have I buried my wife and five children.
No bells. No tears. It is the end of the world.”

We’re seeing lots of ends of the world lately–
–two New Jersey emergency room doctors have died in the last two days,
–and so has jazz great Ellis Marsalis, Jr.,
–and a U.S. Navy aircraft commander has been relieved of his command for writing a letter begging his superiors to send help to his stricken soldiers.
–And the numbers–of cases, of deaths, of projected deaths–just keep going up. And up.

It does feel like we’re living through another Black Death.

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But in recent days, as the horrors of the coronavirus pandemic have begun to unfold,
I’ve also been reminded of similarities of this pandemic to the Blitz:

1. The disruption of our daily lives.
The orderly schedules of the British people was completely upended by the Blitz. People found themselves sleeping under the kitchen table or in basements or tube shelters. They went to work in the morning after a sleepless night with bombs falling overhead, only to find that their place of work was closed or bombed out, and when they went home, they found that had been bombed out, too. Everything changed in an instant. Theaters and museums were closed, and the way of life they’d always known disappeared overnight as if it had never been.

2. The shortage of food and supplies.
Rationing was established early on in the war, and as things went on, food shortages became more and more severe. People lined up for hours on the off-chance of getting a nice piece of meat or a couple of eggs, and housewives were encouraged to cook with unusual ingredients. I thought of that when I saw some elk meat in the supermarket last week. It was the only meat there, but there were still no takers (at this point anyway.)

3. The knowledge that when we see or talk to someone it may be for the last time.
ICU units are filling up, there are portable morgues appearing in parking lots, hospitals aren’t allowing any visitors, including family, and today on TV they were telling everyone to make sure they’d filled out a living will. And children (or parents) living far away won’t be able to come to their loved ones’ bedsides (or be allowed in if they get there.) We’re not even allowed to hug people. It’s becoming clear that any conversation we have with our friends or family might be our last.
That’s exactly the way it was in the Blitz. Shopgirls who laughed and talked to their friends during the day at work might find the next morning that they’d been killed, and lovers who said good night at the front door or the entrance to the tube station never saw each other again. Many never even found out what had happened to them. Or they read in the newspaper, “Died suddenly. Of enemy action.” People who lived through that time said they were fully aware of the possible finality of every good-bye and made sure they parted on good terms–and frequently told their loved ones how much they meant to them.

4. The fears that we won’t be able to deal with the isolation and stress.
During the Blitz, columnists and psychologists wrote op-eds fretting that people would panic and/or get used to living underground and would turn into some sort of troglodytes, and I’ve read blogs recently that worry we’ll suffer from depression and turn into hermits. And everyone seemed convinced that people would succumb to despair.
Those fears were completely unjustified–the British responded to the nightly bombings and other deprivations with spunk and humor.
One shopkeeper with a blown-out storefront posted a cardboard sign that read, “If you think this looks bad, you should see our branch in Berlin,” and when a high-explosive bomb went off, destroying most of London’s newspaper offices, the only still-functioning printing press put out an edition the next morning with the headline, “Bomb Injured in Fleet Street.”
We’re showing the same spirit. New Yorkers are banging pots and pans out their windows and on their balconies every night at 7 p.m. to thank the medical personnel trying to save their lives, little kids and retirees (including me and my husband) are sewing masks for nursing homes and emergency personnel, celebrities are performing on-line concerts, enterprising people are setting up GoFundMe bank accounts for medical personnel and out-of-work wait staff, friends and family are calling each other to ask what they can do for each other, ordinary people are turning into heroes, and the internet’s having a heyday, turning out funny and inspiring videos and memes.
Everybody’s rising to the occasion, and, in spite of my having occasional worried thoughts about all of us becoming the crazy characters in Shirley Jackson’s WE HAVE ALWAYS LIVED IN THE CASTLE, we’re doing great. When this is all over, we’re going to be able to say, just like the British, “This was their finest hour.”

Hang in there, everybody.
Connie Willis

Posted in Uncategorized | Comments Off on JOURNAL OF THE CORONAVIRUS YEAR III

What Trump has said about the coronavirus pandemic so far:

(published on March 26 on Facebook)

Here’s what Trump has said about the coronavirus pandemic so far:

January 22–“We have it totally under control. It’s going to be just fine.”

February 2–“We pretty much shut it down coming in from China.”

February 24–“Coronavirus is very much under control in USA…Stock market starting to look good to me.”
–“The situation is under control.”

February 25–“CDC and my administration doing a Great Job of handling coronavirus.”
–“I think that’s a problem that’s going to go away…in fact we’re very close to a vaccine.”
–“The risk to the American people remains very low.”

February 26–“We have contained this.”
–“The numbers of cases within a couple of days is going to be down close to zero.”
–“We’re going very substantially down, not up.”

February 27–“One day it’s like a miracle, it will disappear.”

February 28–“We’re ordering a lot of different elements of medical.”

February 29–“This is their (the Democrats’) new hoax.”

March 2–“A lot of things are happening a lot of very exciting things are happening and they’re happening very rapidly.”

March 4–“If we have thousands or hundreds of thousands of people that get better just by, you know, sitting around and even going to work–some of them go to work, but they got better.”

March 5–“I NEVER said people that are sick should go to work.”
–“A lot of people will have this, and it’s very mild.”

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March 6–“U.S. coronavirus cases are lower than just about everybody.”
–“Anybody right now, and yesterday, anybody that needs a test gets a test. They’re there, and the tests are beautiful…the tests are all perfect…like the letter was perfect, right? This was
not as perfect as that but pretty good.”
–“I like this stuff. I really get it. People are surprised that I understand it…Every one of them has said, “How do you know so much about this?”

March 9–“This blindsided the world.”

March 11–“We’re going to fix a problem that four weeks ago nobody ever thought would be a problem.”

March 12–“Testing will happen soon on a very large scale basis. All Red Tape has been cut, ready to go!”

March 13–“I take no responsibility at all (for the failure in testing). We’re doing a great job.”

March 15–“Try gettting it (masks and protective equipment and ventilators) yourselves–we are not a shipping clerk.”

March 17–“I’ve always known this is a pandemic. I felt it was a pandemic long before it was a pandemic.”

March 23–“We’re near the end of our historic battle with COVID-19. We’re now seeing the light at the end of the tunnel.”
–“We cannot let the cure be worse than the problem itself…we’re going to be opening up our country…”

March 24–“I would love to have the country opened up and just raring to go by Easter…the churches will be packed.”

March 26–“We have to open up our country, I’m sorry.”
–“I think you’ll see a very fast turnaround.

On February 15, there were 15 cases in the United States and 0 deaths.
We have just passed Italy and China and are now Number One in the world in our number of active coronavirus cases.
As of today, there are now 83,144 cases of coronavirus in the U,.S.
There have been 1,20l deaths.
Thirteen people died in one hospital in New York City today.

New Orleans is experiencing a sharp spike in cases.
So is Atlanta.
There are new hot spots in Detroit and Chicago.
New York is rapidly running out of supplies. At one hospital, the doctors and nurses are wearing garbage bags instead of protective gowns.
And the TV screens are full of doctors and nurses who are at their wits’ end and begging for help. The word “dire” occurs constantly.

Stay well.
Stay inside.
Connie Willis

Posted in Updates | Comments Off on What Trump has said about the coronavirus pandemic so far:

Dying For the Dow

(Published on March 25 on Facebook)

If you can’t think of a way to get your head around the idea of Trump and the Republicans saying we’ve got to get the country opened back up by Easter, and who cares if people die? Grandparents should be willing to sacrifice themselves to save the stock market, CONSIDER THIS:

The London Blitz lasted over nine months, with the city (and other cities) being bombed nearly every night. There were over sixty thousand casualties, and St. Paul’s, Westminster Abbey, the Houses of Parliament, the Tower of London, Buckingham Palace, the Guildhall, and Big Ben were all damaged or destroyed.

Plus two million houses and tenements and tens of thousands of
businesses.

Suppose two weeks in, Churchill had said, “We can’t afford this. It’s terrible for the economy, and besides they’re destroying some of our best buildings. We’ve got to give Hitler what he wants? And who cares if the Jews and the handicapped and gays and the intelligentsia get killed, like they did in Poland and the Netherlands and France?
It’s a small price to pay?”

And don’t kid yourself, Hitler intended to kill them all. He drew up careful invasion plans, including lists of people he wanted to kill. They include, besides the King and Queen and their daughters, and, of course, Churchill,
all of Parliament
and Laurence Olivier
Virginia Woolf
Aldous Huxley
H.G. Wells
Paul Robeson
E.M. Forster
Sigmund Freud
Robert Baden-Powell, the founder of the Boy Scouts
Noel Coward
C.P.Snow
and dozens of artists, musicians, and scientists.

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This is not to say that these people were more important than the ordinary people who would have been killed, it’s just to remind you how much we could have lost.

The same is true of us. This virus doesn’t care if we’re Judi Dench or a spring break partier, a child (and yes, there are children dying) or Yo-Yo Ma. Or some person whose name we don’t know yet who will save the world during some future crisis.

And for those of you who are thinking old folks are the only ones at
risk, consider this. The following people are all over 60 and part of the at-risk group:
Paul McCartney
Stephen King
Harrison Ford
Michael Eric Dyson
Elton John
Margaret Atwood
Robert Redford
Denzel Washington
Bruce Springsteen
and probably someone you would be terribly upset to lose.

So fight this terrible, terrible idea.
Just like Churchill fought Hitler,
in the hills, on the beaches
on the landing grounds,
in the grocery stores and the nursery homes and the hospitals,

Defend our people, whatever the cost may be.

Stay well,
Connie Willis

Posted in Uncategorized | Comments Off on Dying For the Dow